original soundtrack of the never made movie >brotherman< from 1974.

reissue of explorers super rare and hugely in demand self titled explorer lp. originally released in 1982 on the tiny german label x recordings, and never available in any format other than vinyl, this lp is packed with sought after gems such as megawar, no. 8 and the must have enjaw j which features highly on many a cosmic djs wants list. written and produced in germany by multi instrumentalist tony carey after he left stadium rockers rainbow and before his reincarnation as revered prog rock outfit planet p project, this obscure album has become a classic on the cosmic disco scene and an extremely sought after piece of vinyl.

back in stock !!! a fine ep by one of the original practitioners of the detroit dj style, now emerging as an accomplished producer, having been tutored as a teenager in the art of the dj by detroits celebrated ken collier in the early 1980s. delano here delivers pure detroit bliss with that intimate vibe that holds the listener and dancer with a compelling groove that seems to have minimal momentum but never misses a beat. we gave this collection of four sublime detroit minimal house tracks the name sunrise ep, because we can imagine dancing to these tracks at 7am with the sun coming up

chicagos mathematics celebrates its 25th release with this massive 12inch. >nice & slow<, the >tongue & tongue version< of >french kiss< and the highly sought after, never before available officially on vinyl, >jazzmen<. a very special limited edition. sure to be huge

groovebox ep is filled with some class a material for the raunchy dancefloor. first up there is into the club. this track is typical for channel x: it will blow off the roof in the club! as the title of the track already suggests, this is another one of channel xs lengthy journeys into nightlife extravaganzas. a wonderful fidgety bassline and a loop filled with loads of soulful vocal samples from strong male leads to sensitive female souls, this tune is both deep, touchful and destroying. the chainsaw effect session in the middle paves the way for more stomping tech-house business. no time to recover from this, because on the flip its straight onto the floor with wake up: a loop thats made of trillions of little cut-up effects, vocal bits and some straight four to the floor business. after a playful beginning the tune moves into an hypnotic piece of trippy techno only to be converted into a restless party anthem for the Überpeak-time. sick! perhaps there is some time to chill with the last of the three tracks that is against the wall. here it becomes clear what channel x are best at: to create dark, hard and moving electronic music with that special ingredient that is soul. this track is a perfect example: some frightening effects, lots of reverb on the creepy samples, but such a wonderfully harmonic sample that seems to shed light at the end of the never-ending afterhour. if there is a message to this music, it would be: you need to look hard, but there is always love. once again label boss oliver koletzki has picked up these two very talented producers very early upon their career and it has paid off: in one release being better than the one before

rinder & lewis: anger - considered one of the most abstract production teams of the disco era, this cut was taken from their >seven deadly sins< album (very rare!). never released on 12inch inch, this cut was a music box fave! not much to edit, just give it a dj friendlier drum intro. a great cut for a disco or a deep house set!mighty clouds of joy: time - one of my favorite edits! taken from their >its time< album. even thought this song was produced by dave crawford, the philly sound played a big part in it (thanks to norman harris on guitar & earl young on drums). the song was originally recorded in 2 parts, so i combined them with a little bit of dub. yes, you can give praise and boogie at the same time!

discovered by ben watt in 2003, chris woodward was quickly snapped up by buzzin fly and has been a key resident ever since his style is deep house with plenty of funk, bassline and melody in equal parts - he never fails to draw the crowd onto the dancefloor. support from ben watt on his kiss fm radio show

original mix, big beats and massive vibe make the original a real dance floor monster. with an almost house vibe its hard to accurately classify, though ticking nearly all the boxes for a trance smash with awesome build ups and breakdowns. michael cassette remix, inventing their own style which you might call a kind of retro progressive house house the cassette boys never fail to impress with their big room sounds. this remix is certainly not an exception to the rule with aggressive beats and groovy oldskool sounds. store n forward remix, well whats left to say about the snf guys when everything they do is just awesome? another solid remix to add to their portfolio, a progressive sound of gritty basslines and trance euphoria.

disco don doug willis aka joey negro aka dave lee has been raiding the vaults for dancefloor delight for twenty years now and we find him as on top of his game as ever. taking the al hudson guitar lick made massive by chubby chunks he crafts a funky floor filler around that. manchesters finest the audiowhores take it into tougher, funkier territory with 2 slamming mixes as zedd close the year in some style with another modern disco masterpiece, these boys never put a foot wrong

the third installment in the catz n dogz vinyl series is a showcase for two standout songs off their album stars of zoo. >sf< is a throwback to classic house tracks, with a modern twist - a playground full of joyous children have invaded its sly, bongo-laden grooves. yet these precocious youngsters are only part of the story – the beats insistent and ever-changing swing never lets up for more than a couple of moments. >2< is more ominous but no less effective. its primary percussion enters like springs filling up an echo chamber, gradually morphing into several competing themes that weave together throughout the track. 2s bass is a serious force, creating a physical presence that must be heard on a large system to be believed!

big follow up to last years club hit >come back<. the outstanding remix by baggi begovic already gets support from roger sanchez who played the tune in his famous release yourself radio show! true to the motto never change a winning team marco petralia teams up once again with singer jimmie wilson to deliver another soulful house extravaganza for the dancefloors. dutch production wizard baggi begovic – who scored big time last year with the funkerman collaboration >good god< – lets the track live up to its title

if you like electronic music and youve lived in paris for the last 15 years, theres no way you dont know that man. djulz start playing the very firstparis raves back in 1992. since that time he never stoped running to make things happen in his hometown. hes also the oldest resident of rex club with his party bass culture. today djulz is releasing more and more great music after having produced eps and remixes for label such as music for freaks, paper recordings, 20:20 vision, poker flat, ovum, real tone or intacto, djulz is releasing, fleurette, his new 12inch on circus company. fleurette is a sweet, naïve and housy track. the track is build up over a piano loop which leeds us to some children vocals. all that is surrounded by a strong and precussive rythmic stuffed with a beautifull ride. its defeinitively the kind of track which gives you the power to stick a smile on everybodies face. on b side comes the fleurette tobias. remix. for sure you know the man behind mythical releases on logistic records and more recently wagon repair. hes also behind the electronic jazz combo called nsi. which just give name to his own label. an emblematic character of the scene who collaborates with artist like atom heart, dandy jack or max loderbauer in the past 20 years. supported by dixon, jay haze, Âme, luciano, laurent garnier, 2000 & one, josh wink and dj deep.

aka dopplereffekt !! should be in the repress section... but this repress is such a limited and unexpected one that we had to consider it as a brand new release. 400 copies only limited repress for this highly collectable piece of wax from the master of electro arpanet (dopplereffekt, der ziklus...). unavailable for more than 6 years and never repressed before

meridian is a perfect example of dj 3000s evolution as a producer. the mark of a good producer is to never stop growing, once you do, you are condemned to making the same record over and over again and hoping no one notices. this record is the perfect marriage between the percussive staples of the motech sound, and a new lighter exploration of sound elements by dj 3000. >meridian< dares you to sit still while listening to it, or to stand on the wall if you are near a dance floor. its ability to make you dance as well as captivating your ear if you are sitting and listening illustrates the dynamic flexibility of the motech sound.

first support comes from hell, pig & dan and tony rohr

sampler from 1998 with stasis, mark broom vs ben sims, anxiety society and vincent d

made to play brings the noise with the sounds of wearhouse music and head honcho lee mortimer. lee mortimers exciting, sleazy, demented take on house has been kicking the sh*t out of dance floors and festivals the world over. this e.p is not for the faint hearted but is for those who like to rock a big crowd in a ballistic way. when jimi hendrix played not just one but both sides of it at woodstock in the 70s the place went off its tits and when he reverted back to playing the guitar it just couldnt compare and he never quite got over that. lee mortimer is currently reveling in mass support from the likes of switch, claude vonstroke, diplo and kriss akabusi who apparently likes to play these tracks as a post love ritual, naked and chanting awooga! round the camp fire he has in his bedroom. if you want to embellish the feeling of either hendrix or akabusi in the primes of their existences then get stuck into this release and youll feel like a combination of the two peaking on acid.

after several remixes and longtime waiting our artist h.o.s.h. releases his next own ep. and he is back with a real banger! >the valve< sounds connected to steppenwolf, but feels more like a coninue: more modern, more pushing and more groove. like hell! a balkan- flute plays sometimes, but very harmonic to the track. heebie-jeebie! >super sick bowl< is a fantastic groove, too, but a bit more housy like classic recordings. awesome, never boring housebeat spiced with two cool and sick breaks. this loop could run forever. single words work perfect with the beat and provide a stimulating sexappeal. under a fig tree starts more technoid with the sound, but has still a groovy house for 3 minutes til the break - and out of this break a new sound is evolving. on the one this track continues with a warm bass hook, leaving the technoid sounds behind. what a twist! just beautyfull! thanx hosh

another quality dmx krew masterpiece we at turbo are longtime fans of dmx krew, so its a real honor to work with him again 6 years after his last contribution to our now defunct sub-label white leather. we dont normally trace an artists history or include much biography in our press releases, but we feel the need in this case to pay our respects to a long and brilliant career. with all the crap that gets paraded around nowadays its easy to forget who the real masters are... ed dmx is one of them. ive always held a soft spot for ed, he was one of my favorite producers in the proto-electro heyday. hearing his live version of the knight rider theme at sona (tigas club circa 96) was (believe it or not) a revelation. of all the artists id met up until then, he was the coolest, he could play synths better than anyone id ever heard, he had the balls to do vocals in his live-set but he was a sweet, softspoken, and super funny guy. for reasons ive never understood, eds pop side didnt seem to take off and for awhile things took a distinctly experimental turn... interesting stuff, but a departure

the young band cours de performance presents us their debut - release on phonothek. its called one! this varied and extremely good produced record tunes in the club season with a beat of a kettledrum. certainly you hear the influence of the three guys - berlin! the result is a super functional ep, which is played from friday until monday. hammerfall charmed with the warm synthie and the oily clap, which even let the crowd freaks out. white walls the fantastic hands up track, which you never will forget. the amazing song you are thee is definitely produced for the peak time and shakes the sound system with a playful kick. petre inspirescus trash is a small homage to sakadat, but the guys show us how to get more groove from the metaphysical - bomb. rise, listen and start to dance. were excited to hear more of course de performance

fresh fish presents an ep which is so far that you don t even notice how close it is. colombian paulo olarte is coming with a 4 tracker piece of vinyl to make you dance and and get you in touch with deep love. passion in the midpoint this beats and pads are gonna make you sweat. hypnotizing tracks of the latenight excursion class, featuring layers on layers to create a carpet of sound that slowly gets your mind to upper levels from which it s difficult to come back. the vocals let us imeditly think of “love on the street” and “solo tu” (including isoleé remix), last one raised quite a storm and was played in every afterhour all over the globe and appeared on many compilations like sven väths ibiza mix cd “the sound of the 8th season” or dinky’s “get lost” mix. so romantic has never left the hamburg label and it seems that it is here to stay. “tan lejos tan cerca” what else can we say

following up from his widely acclaimed ep for workshop and his first solo-ep on mikrodisko, two new tracks emerge from the abyss that is kassem mosses studio, striking fear and awe in the hearts of mastering engineers. aqueous haze, his new ep for mikrodisko, starts with >no peace no love no unity<, an 808 driven stomp through landscapes of derelict synths buried in vintage and broken device chains. the track finishes off with a brief reminder of the past. the sixties? the seventies? they never sounded anything like this. >578< on the flip is out on a roll, straight ahead, not turning back, pushing towards a better tomorrow. the utopia that time forgot. we call it techno

under the radar ep big with: carl cox, funk dvoid, jamie jones, luca bachetti, slam, nick curly, paolo mojo, kiki, dario zenker, trickski, geddes, chris carrier, jeff samuel, davide squillace, lee burridge, luke solomon, thomas schumacher, solomun, chloe, shinedoe, nic fianculli amelie is the newly born production outfit sophie oliver & claudia lovisa, already a highly acclaimed duo on the dj circuit. their names have been on everyones lips this year for the dynamic and stylish way in which they bring adancefloor to its knees. on this their first ep they team up with supernature founders audiofly for a two tracker that will certainly raise many heads in the techno and house scene. ‘move employs clever drum patterns with an insistent looped female vocal working the track into a groove that never lets the listener go. ‘generous for one has a similar smoothness in its production but in a more driving manner. the surprise in it comes in the way of some jazzy keys half way into the track that will uplift the crowd to another level. hot romanian starlets livio & roby get to work on ‘move with a very current interpretation. this amelie v audiofly ep is proof that claudia and sophie have the talent and charm to put them ahead of the game in very little time indeed.

likely ep is tims first release on tiefschwarzs souvenir label. lead track alike sounds like ivan smagghe jamming with richie hawtin in a warehouse rave in london, skirting a line between futuristic tech house and discerning electro. a live bassline holds down the groove as a trickling bleepy melody develops throughout the track. as more and more layers of elaborate sonic trickery are laid down, a driving snare jacks out the groove further before a series of effects laden breakdowns tighten the tension further and further. cowbells take the second phase of the track ever taughter before the groove emerges into a stabbing hook and pulsating synth noises that drive the dancefloor into blissed out oblivion. subtle vocals tease the ears in the background of the final strung out breakdown, never quite dominating the tune before the jacking bass and kick drop back in. ‘unlike shares a similar vibe for mixing live instruments with plug in madness. live sounding bassline and guitar lines open the track and roll out the groove before the main synth hook takes over. as the track rolls in and out of its breakdowns it lurches between reverb heavy, bleepy chaos and futuristic rhythms. think depeche mode writing an experimental instrumental on the moon in 2012 and youre halfway there. like many french artists these days tim lives and works in london and also collaborates with fellow frenchies ivan smagghe and dante eprom. he first caught the attention of vinyl sleuths with his excellent remix of db (8)s future now in 2004 and now runs his own label marketing music as well as pushing the boundaries of spacey electro flavoured tech house with his own solo material.

king matthew & bass d remix*the viper, the legendary hardcore deejay and producer. the viper, also known as melvin pelupessy, bought his first pair of turntables in 1988. success never came easy, he had to work his way up the proverbial ladder and pay

pro-tez records continues its work, being the portal for young russian talents to the vinyl world. in its 9th release pro-tez proudly presents indie diva masha era in a handy triple pack. mashas winter tale will put you on a journey between moloko and matthew herbert. the original version comes with an enchanting vocal tune that will never let you go, combined with a strong guitar part. the remixes from scsi-9 and korablove explore the dancefloor, spanning the arrangements from russian deep to the hits of swayzak

finest deep broken beat journeys

for those who thought these remixes would never see the light of day, here they are and let me tell you something : they re hot !! the a-side features swag s hot gloves remixed by bakazou (aka pete herbert). pete s on fire right now and he came up with an awesome italo-disco monster. it s like an apollo space ship: it gets higher and higher and when the original bassline is finally released people go crazy. tried and tested on discerning crowds – success is guaranteed! already licensed to ralph lawson s next fabric mixed cd ! the b-side is equally good, albeit in a different way . swag s hot shoe shuffle dub sounds like those fantastic hypnotic disco dub mixes straight outta 80s nyc. so put on your dancing shoes and get down to the boogie sound

the label boss returns to his own yore imprint with another stunning solo release. these are different times indeed for andy vaz if the eps three mighty jams are indicative of where his musics heading. the a-sides over here (a glance over prime time mix) roars from the very first moment vaz unleashes its steaming, latin-tinged groove. a far cry from the techno the yore label head once issued, the tune finds vaz exploring straight up dancefloor territory with a dizzying house pulse that straight up rocks. melodies and voices rise to the surface of the dionysian broil and then just as quickly recede, leaving room for a driving bass line to gain the spotlight. the flips hurry hurry (before its too late mix) is classic deep house just as one expects on yore. a jazz-inflected strut with tilman ehrhorns sax playing, wailing over waves of rollicking piano playing and spirited vocal chants. the energy level doesnt flag for the discs final track, bygone times (nostalgia mix), which stokes a fiery house swing with its locomotive pulse, futuristic synth patterning, and high-velocity bass lines. vazs music has never sounded more impassioned and energized than it does in these three tracks and consequently, just as one might predict, different times feels like its over far too soon

a fresh addition to the moodmusic roster but a longtime veteran in the house-scene, alexander maier aka dj all*star from stuttgart is well known from his earlier releases on buzzin fly, exun and criminal records. he began his career playing underground techno in south of germany but over the years became more and more influenced by detroit and chicago house. you can hear these influences on sahara in both the rain and river version. deep and reduced grooves with enough soul and atmosphere, yet fully functional for the floor, sahara rain kicks in with a heavy bass sequence building a perfect platform to be followed by the synththeme which hit s the peak hour perfectly. i see some hands going up here already… sahara river starts more housey, building a classy, low-slung huge groove with perculating synths and almost tribal feel to the drums. the modulating synths lifts the track to new heights with a break of superbly layered twisted pads before the drums kick back in in full effect. as this would not be enough we asked our thrusted chicago connection and alexs buddy, mazi aka audio soul project to remix sahara rain. if you consider people who s been in the biz for some time mazi is one of the warriors of the sound, never choosing the easy way but thrustfully following his true way of house music. and house it is, classic but cleverly updated to 2008 with a twist of so-cal thrown in for good measure. bouncey and jacking is the words which comes into mind when hearing this, excellent work and a another bomb for the hot months to come

tru thoughts presents back gold will be vinyl only releases and will feature exclusive music which will be either unavailable for several months or never to be released elsewhere, ever. there are less than a thousand available worldwide. featured on this 12inch are four nuggets aimed at the djs. hints filling loosening bassline will test any soundsystem and totally reinvents the hot 8. bassnectar toughens up me&you with a mash up vibe. tm juke and jack baker have taken on and bettered fedde le grands put your hands up for detroit and broken it up funk style. the final track is the work of wonderkid trus me who turns belleruches reflection into a 4/4 groove masterfully.

big with dave clarke, karotte, the advent, paul dailey and aldrin (singapore)! marco bailey might be a global player since many years, but he has never forgotten about supporting talent from his belgian home ground. on the next mb elektronics marco is introducing davy dee from liege with the track >koala<. its supported by two wicked remixes from redhead (red factory, terminal m) and joseph capriati (cmyk, frankie).

the new release on the mojuba sublabel features two classic and timeless moments of dutch techno music. the main track >spadet< was also one of the chosen tracks for the legendary x-mix by kevin master reese saunderson on studio k7!, and even after more than a decade since its original release, there are still goosebumps while hearing the magnificent sounds of that tune! the b-side might be less know but it still captures that special feeling and the power of true detroit techno which never left our hearts. the whole package was remastered to today’s standards by no other than the sound connoisseur monsieur redshape!

it only took a few months for french dj / producer yuksek, to be acclaimed worldwide by clubbers under the spell of his unstoppable alchemy, a touch of pop song-writing, saturated beats, psychic rock acid progressions, a hip hop flow here and there and ever-so-present uplifting tunes that never compromise the dance floor appeal of his tracks

a decade usually consists of ten pieces, years or days. the decade of techno comprises of 10 releases made by 9 carefully selected producers who shaped the last ten years of techno with their unique sounds. looking back at the last 10 years, techno made a thoroughly multifaceted development. new styles developed out of the old ones, never losing sight of the main principle. this development will be reflected on the decade of techno series, whereas label owner kaoz attached importance to account for every facet of techno.

with the new release plastic city brings you some really modern stuff, but also some classic house style infected tunes. dkma presents andrastea is back on plastic city and shows us the meaning of soulful house tunes and while its reduced we would never call it minimal, no, it is simply intense. dana kelly smashes the house scene for 13 years on labels like strictly rhythm, contrast, 4th floor, chug, subliminal or guidance created a classic with this is krimp on the next generation ep released on strictly rhythm in 1997 what was probably the best of the krimp series and the last one at the same time

the only major song from prince’s classic film, purple rain, to have never previously been released... finally, after 25 years, comes dez dickersons lost minneapolis classic, >modernaire<, mastered from a newly discovered tape recording. as if that wasn’t enough, the record also features a freak-a-holic cover version by egyptian lover. keeping the spirit and energy of the original alive, there are remixes by hot persuasion, dmx krew and faceless mind, driven by the searing beats of the 808 and linndrum. backed by a disco-machine version by complexxion, this is the sound of the modernaire!

marco shuttle returns to serialism to deliver 3 tracks of groovy and elegant techno. filled with nicely laid out percussive ambiences and dark but uplifting sounds, it reminds us of older cadenza releases with a story/groove that never ends and a latin feel that seduces the body. this one will surely make an important impact in the minimall circuit

played by loco dice, dubfire, shinedoe , carl cox, tiefschwarz, magda, luna city express, martin landsky, lauhaus!! emerson and dubnitzky have teamed up to release for kiddaz.fm already where they delieverd the amazingly received billionaire bass club ep and an overwhelming remix of flinschnnielsons korea tabs,.... now they teamed up again during this hot summer and it turned out to become a monster heavy house ep.... with gentle one and go with the flow both beeing wonderful bassheavy tech house productions nick curly who runs the cecille label and produces some of the most amazing music around at the moment delievered a great tooly remix. his sound has been incredibly well received lately and is finding favour with artists like richie hawtin or loco dice. he delievers a wonderfully enlightening rmx of gentle one with a great never ending easy house groove and great simple chord and vocal snippet work

uk electronic to breakbeat tunes

while for many of his contemporaries repetition became a new standard rather than innovation, jacek sienkiewicz with every release seems to be broading his musical horizons and challenging new territories. beacon seems to be even more organic than previous recognition releases, and the warm, yet unstoppable beat workout suddenly goes all jazzy and cinematic, with irresistible saxophone hook. big surprise here, but jacek blends the sounds into one of his trademark, 12+ minutes long, massive club anthem. another surprise is brought by the flipside - this remix is courtesy of the man of the moment michel bauman, here applying his soulphiction alter ego to dark, smoky and very tropical variation on a familiar theme. all over, another very impressive release from jacek sienkiewicz, man who never fails to impress.

fixmer/mcarthy is the parallel music project of terence fixmer in association with the legendary voice of nitzer ebb . a side look to me has been remixed by xenia beliayeva and the help of his partner in crime andré winter. xenia deliver here for look to me an amazing and fantastic remix !!! funky , groovy as hell with a stunning compressed sounds !!! this remix would be describe in french as de la pure bombe !!!! or in german hammer !!!! . no other word for this perfect remix !!! b side kiko is a surprising producer. its always a suprise as we never know how it s gonna sound.

a-side produced by lab techs. b-side produced by black milk. taken from >>theres only one<<, the 2nd album by detroits buff1 of athletic mic league

part 5/5 of this special pre-release rmx vinyl edition of the lottergirls album right on

an instant dancefloor smash whenever its played, intense support from dave spoon, tocadisco, laidback luke, steve angello & dirty south. a firecracker of an ep that does extreme damage!next up on toolroom trax, our very own owen ingram teams up with danish house he ro rune rk to bring you a scorching anthemic house bomb entitled >life<. the two producers have never actually met in person. owen fired over some parts to rune via aols aim instant messenger, rune arranged them, and then they went back an d forth until they came up with >life<! a classic-sounding track that conveys steamy summer nights dancing under the mediterranean stars, >life< has enjoyed massive support

scrubfish and nate laurence are back on spatulacity to follow up their killer disco papacy offering that first appeared on the four piece set sampler series. the result is the stellar drunkle bob & aunt d lishus ep, four tracks of goodness (including disco papacy and the never before released acapella to that track) as well as three fantastic new joints: sake to me, bar fly, and creepin hoodlums!

nice price deal !!! slow to speak triumphantly returns from their self-imposed hiatus to refurnish the label gears, reignite the promotional engine & proceed forward full-steam with their latest release, a limited one-sided 12, pressed on 180 gram vinyl with japanese obi and featuring an exclusive sample from the forthcoming second installment of joe claussells >trans.late< mix cd compilation series. nrsb 5 s only dictate is to follow the uncharted. revolving around a determined synth loop, it transforms as it unfolds and reassembles, returning with new determination as it obsessively revisits its own chosen refrain under the skilled hand of the producers manipulative shape shifting. never static, always moving, dodging its own melody to return with the same body beneath a new costume, the rigid, unyielding control remains intact, as each second serves a precise purpose in its masterfully assembled, inter-reliant structure: a beautiful whole, completely unified in its chaotic infinity. add to basket

supported by: martin landsky, ante perry, miss kittin, john acquaviva,… this man is unstoppable, incredible and for sure one of the biggest belgian electro house producers – this is kolombo! the vinyl contains the first three tracks of his debut album >boulevard cartier<! enjoy vinyl 1/3 of the man who never sleeps!

x.l.r.8.r., the new label from marc o’tool, sends its second release into the race. as a label pendant to mauritius, which can look back on diverse successful releases such as criss source >hugs’n’kisses<, marc o’tool >the sinner in me< and productions from björn mandry, ballroom and marc vision, the team on x.l.r.8.r. approaches things more technoid, rougher and dirty. after the label premiere >showtime< already secured the label a place among the front starting positions of the techno grand prix and according the motto >never change a winning team<, the second release again counts on the dream-team criss source & marc o’tool